Naturally, there's plenty to set the pulse racing on this rock solid follow-up. He stays faithful to the original mix, where he adds an incessant bassline, his trademark beats, disco flourishes and works the arrangement to fever pitch! Publicity shy producer Themba first appeared on Hot Since '82's Knee Deep In Sound label earlier in the year, raising more than a few eyebrows with a fine debut three-tracker entitled 'Paliva'. It made perfect sense for him to give 'Confess' his personal touch for the nu-disco heads, as he was one of the supporters of the track from the very beginning. The now Los Angeles based Doorly has recently made the move back to Europe, where he nailed these killer grooves in his brand new studio in Ibiza.įor a long time, Perth's Greg Packer was considered a veteran of the local drum and bass scene, but in the last few years has reinvented himself as Dr Packer - and become one of the best of the best disco editors on the scene at present. The sun kissed boogie-down jam 'Cafe Mambo Disco Pumper' was on-point also.
Teaming up with the mysterious Tan Dem on the Nismo's Groove EP for the lo-slung funk groove of 'Mummas A Bean', he then goes solo for the remainder - where he serves up the neon-lit Italo influenced anthems 'Drop The Needle' and the electrifying 'On The Upside. Reptile Dysfunction boss Martin Doorly reckons that he has 'put his balls on the line' with this release - but we're pretty certain it will appease the label's most devoted fans and new ones alike.
Props, too, to Schaltkreis Wasserman, who pas packed his percussive, synth-fuelled remix with oodles of mind-altering guitar solos. Our favourite remix comes from Kuniyuki Takayashi, who turns in a steamy dub disco interpretation smothered in mazy Moog solos and breathy chanted vocals, though the bouncy, Balearic-minded Afro-house revision by Djembe Monks is also a breezy, life-affirming delight. The original version (included at the end of the EP) is first remade by I-Robots himself, whose 'Take II' version is arguably even more percussive, stripped back and psychedelic. Here the track finally gets a deserved single release. 'Glamouflage', a heavily percussive, occasionally trippy tribal disco roller built around layered drums, psychedelic guitars and a rubbery bass guitar motif, is undoubtedly the most celebratory track on 2016's third We Are Opilec compilation. '80s Child heads up the remix package, serving up a bongo-laden electrofunk revision in keeping with his boogie-centric catalogue, while Lempo lays down a tooled-up version that adds sweet synthesizer sounds to a chunkier peak-time house groove with impressive results. Robinson provides Main Mix and Radio Edit variants that giddily fuse elements of nu-funk, electrofunk and chunky disco-house with arresting hip-hop vocal samples and a sweet, R&B style vocal. Naturally, he provides the debut release, asking us to hold on to our hats as he attempts to 'Rock The Discotheque'. He's now returned to his disco roots with the launch of a new label, SuperEarth. Once upon a time, Chris Robinson AKA Ruff Diamond was an in-demand remixer reworking hits from the likes of Estelle and Beyonce. In between, you'll find a swathe of superb revisions from some of the edit scene's finest - South Beach Recycling, Hotmood, Chewy Edits and Dr Packer included - with the selected tracks variously touching on electrofunk, boogie, P-funk, Latino disco and super-sweet '80s soul. It begins with a superb disco-funk cut-up by The Funk District and ends with a smooth, rolling and glassy eyed boogie-era disco revision by Saskin S that's almost worth the admission price on its own. If you dig Masterworks Music's celebratory, feel-good approach to disco re-edits and reworks, we'd advise picking up this bulging, 26-track collection of killer cuts from the label's recent past. From all world's most popular shared hosts.
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